Witches and Bitches - strong women in opera
Witches and Bitches: strong women in opera, the Court is in Session!
It’s autumn, the wind is blowing, the nights are drawing in… and I am thinking about the dark stories and characters that we love to indulge in at this time of year. What does opera have to offer? Grab a mug of hot chocolate, stick another log on the fire, cuddle up in your favourite blanket and read on… if you dare!
Not all is as it seems in opera… we love a spooky story, and we love a villain! But occasionally we are guilty of creating a one-dimensional character who we wrongly judge to be ‘bad’… are we being entirely fair? I’m going to take you through a few spooky or ‘bad girl’ female roles in opera so we can decide. Some you will know, some you may not. No sitting on the fence, thumbs up or thumbs down.
All rise, the court is in session, with Judge Lisa presiding, please be seated and solemnly swear to take this very seriously!
Defendant 1 : Carmen, from the opera Carmen, Bizet
Look, we’ve all been there. You like a boy, but he’s a little dull, you like parties… you read your cards at a party and decide death is your fate and spiral out of control eventually having yet another knife fight and being killed by the dull boy. It’s a tale as old as time.
Carmen is a strong woman who uses sex and her allure to control, but her chaotic life, love of playing games and run-ins with the law catch up with her mentally and leave her unable to see a way out from her life.
Verdict: Guilty of being very bad
Sorry Carmen, you aren’t very kind (slashing your friends face…), and you are probably guilty of gaslighting Don Jose which ultimately ends in Don Jose stabbing you. You are the opera character we all love to hate, but modern eyes see your crimes with similar eyes.
Defendant 2: Emilia/Elina, from the opera The Makropolous Case, Janacek
Who wants to live forever?… Well, actually, nope, not really, thank you.
Poor Elina was born in 1585 and has spent 3 centuries living an itinerant life escaping any long connections, because her father invented and tested his successful potion on her. She lives currently as Emilia, a world famous opera singer - she’s had a lot of extra time to perfect her craft!
Youthful and beautiful, she has had a string of lovers and admirers, but by the time we see her in the opera she is tired of life and love, apathetic to others.
A mix up of papers and wills eventually leads to her confession. At the same time the potion is finally wearing off and she ages in front of her friends, convincing them of her fantastical story. She offers the parchment with the potion to another young singer, who refuses it and burns it in front of her. Emilia dies reciting the Lords Prayer in Greek.
This spooky story plays on the human fascination with ageing and death - playing out the scenario of how it might feel to live longer and experience more of life than our allotted 3-score-year-and-ten.
Verdict: not guilty of being bad
Emilia certainly is a very string woman, but was a child when she was given the potion to try, so would not have been able to refuse or see the consequences. The criticism that she is cold and emotionless is just, but she is a victim of her very very long life and the struggle to stay young. A story still relevant today!
Defendant 3: Mimi, from the opera La Bohème, Puccini
Surprised to see this opera included?… read on!
La Bohème is a fairly standard love story - between two bohemian artists living in poverty in Paris. Deeply in love, Mimi is ill with what is probably tuberculosis.
Rodolfo breaks up with Mimi telling his friend at first this is because she is a flirt, and then admits it is because she is ill, and that he hopes she can find someone wealthier who can pay for help with her illness. She hears this. (Yes. Pretty brutal.)
Mimi then tells Rodolfo that she is in fact leaving him… which is a pretty strong move to save face. However their love is ‘too strong’ and they agree to stay together until the spring as no one should be alone in the winter.
We cut to the spring and the men are talking about their past girlfriends who have found much wealthier partners, except that we learn Mimi is now severely weakened by illness and alone. They go to her, but she dies shortly after and Rodolfo is heartbroken.
Mimi is in the dock because a director once described her to me as ‘a b****’. emmmm SHOW ME THE EVIDENCE?
Verdict: not guilty of being bad
Isn’t this just a story of young impetuous people who are in love and don’t always act the way we all probably should? I still don’t see that Mimi has anything to answer for, Rodolfo however…
I’d love for you to supply me with fresh evidence that might reverse my judgement, but for now, NOT GUILTY
Defendant 4: Violetta from the opera Traviata, Verdi
She loved parties, she lived as a courtesan, and she fell in love. Original audiences were shocked at this tale which portrays Violetta as a moral and good person who just so happens to be a prostitute to pay her bills. She is independent and free in a way women were not at that time, her only reliance was on men and financial.
Holed up in the country with the love of her life, Alfredo, she is visited by her father-in-law, who begs her to give up his son for the sake of his family, as living unmarried was scandalous. The scandal would ruin them. Heartbroken she agrees.
Violetta returns to her old life, sad, and fatally ill with tuberculosis (yes… another female victim of ill health).
She is finally visited by her dashing Alfredo just as she dies.
Verdict: not guilty of being bad
Violetta is a victim of poverty, societal judgement, and of course the lack of a medical cure! The one time she follows her heart, she is persuaded to give up her happiness for the good of others, and does so.
Luckily, we all see this story with more modern eyes, and instead it is the sadness of the situation that stays with us.
The court thanks you all for your time and fair judging - did I miss anyone out? How do you feel about Mimi? Pop your comments and other suggestions in the comments box below.
Join me next time on All Hallows Eve, when we will discuss some very spooky operas, if you dare!…
“I love Italian opera - it’s so reckless. Damn Wagner, and his bellowing at Fate and death. Damn Debussy, and his averted face. I like the Italians who run all on impulse, and don’t care about their immortal souls, and don’t worry about the ultimate”
Back to School- Tips for a new term of Music Lessons
Back to School- Tips to start a new term of music lessons fully prepared
Preparing for a New Term - are you ready?
“The only place where success comes before work is in the dictionary”
Prepare
Whether returning to a teacher or beginning a whole new course somewhere new, you will have some idea what is expected. Check up on the syllabus, read up about your new teacher to understand their training and experience.
Begin practice in advance to make sure you have stamina and some strength ahead of the demands of rehearsals, lessons and performances - the term can get busy fast!
2. Make a schedule
Make a practice diary - work out your schedule. Mark out your weekly lessons, lectures and classes so they are all in your diary. Add alarm reminders if this is helpful!
If you know you practice better in the morning or in the afternoon, try work this in to your schedule.
Leave space for everyday life tasks too - gym, running, if you work or do a teaching job or another job to fund your studies.
I know I study better if my workspace is clean and tidy, with no distractions! So I often schedule this into my day.
And of course… leave lots of space for socialising or to switch things around if new things are scheduled.
3. Keep track of Deadlines
If you don’t already have an electronic system/diary, investigate ways of linking your email and calendar so you can keep track of performances, and essay due dates. Use whatever version that best suits you whether digital or pen and paper, or a combination.
4. Tailor your Study Habits and Prepare Study Resources
I know I am a visual learner - but what about you? What will help you learn?
If you know memorising is easier if you write things out or use different coloured pens/paper, make sure you have these things ready to go. This is your chance to indulge your stationery dreams and buy things like a new highlighter for your notes and scores!
If you work digitally with music, make sure your equipment is ready to go, you have a good case for your tablet, a nice feeling pen holder for your electronic pen, and your computer/laptop have plenty of memory for new music, and back up options to charge everything.
Has your teacher been asking you to look at a particular score or to practice a particular technique?… Do this now. Don’t put it off!
5. Find a Healthy Balance
Lastly, your new course/term is likely to take up a lot of your time, but don’t forget to plan and enjoy life outside of this.
I’ve already mentioned planning your fitness regime in to your timetable, or maybe plan to begin one! There is nothing more stress relieving than exercise, a walk is a simple way to start.
Remember to carry on with any hobbies you have and maybe even consider starting something new. Your life is enriched by your diverse experiences, and this includes experiences outside of your study.
Best of luck to everyone starting a new term, I hope these few tips help you feel organised and ready for success in your music making.
How do you like to prepare? Have I missed anything out? Comment below with your favourite tip.
As we head into the autumn, I’m starting to prepare for a new school and University Year. No one likes those ‘Sunday Night’ feelings, so make yourself a hydrating cup of something, sit down with a notebook, and let’s work through some top tips to start your new year of music lessons off with lots of energy and focus.
Singing and Golf: what can we learn from other hobbies?
What singing tips can we learn from other hobbies and sports?
Recently we had a little spare time and decided to head to the Driving Range for the afternoon. I’m a terrible golfer and have not hit a ball for years, but it was fun to do something different, and we hope to go back more often.
I’ve picked up a few tips over the years listening to others who play, and watching golf on the tv. It got me thinking; are there any transferable pieces of advice that might also be helpful in singing?
I often have pupils who begin learning to sing with me tell me they know nothing at all about singing or how to use their body - but the truth is there are actually lots of similarities with other sports and hobbies that you could put into your singing practice.
Golf is a search for perfection, for balance. It’s about meditation and concentration. You have to use hand and brain.
Celine Dion
#1 Swing with less than 100% effort
Yes, this gets said a lot in singing. Sing comfortably within the limits of your voice. Singing at 100% is not only very effortful, it is likely to cause your voice to tire and and a handful of technical problems with your voice to occur.
#2 Play More Break
So, this is a little more convoluted. In golf, it means
the amount the ball moves left to right of a straight line in response to contours
NCG’s Golf glossary
In singing, we want the smooth legato line (latitudinal) to be mixed with feel of the voice being connected into the body (a longitudinal feel) in what is sometimes likened to a string player playing into the string, pressing through the bow.
#3 Work Hard on the Details
Singing is a wonderful, beautiful thing, that makes us feel great! But remember that mixing a little study, some exercises, and singing some repertoire outside the usual pieces you might pick can add a huge number of positives to your favourite songs.
#4 Use a Conservative Strategy
Just starting out on your vocal journey?… Put down ‘Queen of the Night’. Put down ‘Largo al factotum’… because you’ll never sing these arias?… no. It’s just not helpful to run before you can walk! It’s also likely to be less rewarding if you feel the piece you are singing is very hard work and full of technical things you aren’t yet doing.
#5 Practice Your Short Game More that your Full Swing
You know those high notes?…. yeah, they sound great! They feel great?… good! But they are rarely the most important notes in your voice, or the song. Don’t forget that you spend that majority of your time singing the other notes in your voice, and they need to be just as well sung.
I hope you’ve enjoyed these top 5, the full list I took them from is linked below, and there are definitely more comparisons!
Your singing teacher will enjoy guiding you through your lessons, happy golfing and happy singing!